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trauma

Abstract: For anyone who has worked in another country, the journalistic ‘rules of engagement’ differ in each port. Foreign correspondents argue passionately for the freedom of the press, saying that by ‘bearing witness’ to crimes against civilians...
This article is an attempt to document some of the filmmaking processes and highlight some of the specific factors that determined the final form of the film Cap Bocage. I see this as an opportunity to outline more personal reflections on process....
Young journalists today are highly likely to cover traumatic incidents early in their careers, with many confronting trauma day to day. This pressure is exacerbated in the current economic climate and fast-paced changing world of journalism. New...
Commentary: Psychological impacts of covering trauma such as war, or indeed any disaster with loss of life and tragedy, have the capacity to challenge the media professional to develop professional and personal skills.  ‘Lessons learned’ from...
Arts journalism and reflective practice intersect in a new field of ‘journalism as research’ (Bacon 2006). This article takes an innovative approach informed by the multimodal, musical and psychogenic fugue to discuss a case study of arts journalism...
This article explores the ethical issues faced by New Zealand journalists reporting a disaster. Journalists who travelled to Asia to report on the 2004 tsunami were asked to complete an online survey containing a mixture of Likert scale and open-...
Trauma is an inevitable part of everyday life in the Pacific. The media is a powerful force and when used effectively it ca help to mobilise assitance for victims and survivors. Sometimes, getting that message across has a pschological cost. 
Student journalists have learned lessons from spate of deadly kerosene lamp explosions in Madang, Papua New Guinea. The blasts, which killed four people and injured 43 others, provided the students with an unprecedented oppurtunity to hone...
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